rather than housing its services and living spaces within the same volume, the santos bolivar santulan hotel divides each program between five structures.
The deteriorating remains of this residential institution, overgrown with mold within and poison ivy wiithout, lie a scant few miles northwest of New York City in Rockland County. The complex encompassed over 130 buildings at one point – a striking departure from the usual practice of building high-rise institutional asylums criticized by reformers as being detrimental to patients’ care and well-being.
Letchworth Village was all about reform: it was named for William Pryor Letchworth (1823-1910), a noted author, philanthropist and researcher renowned for his advocacy of modern treatment regimes for the institutionalized. Situated in the hamlet of Thiells, the “state institution for the segregation of the epileptic and feeble-minded” initially occupied 2,362 acres of pastoral land. Stately one- and two-story buildings were modeled after Monticello, Thomas Jefferson’s plantation home and estate in Virginia.
In accordance with William Letchworth’s theories, Letchworth Village limited accommodations to 70 residents per building and instituted separate living arrangements for children, disabled adults, and able-bodied adults. The latter were put to work on communal farms raising crops and livestock, enabling the institution to be entirely self-sufficient in food production through the late 1950s and early 1960s. Other inmates occupied their time making toys which were sold commercially over the holiday season.
florian huth's artwork presents a contradiction between the visible and the invisible elements of the two-wheeler designs.
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Although The Architecture of Happiness did not gain momentum after its publication in the mid-2000s, the ideology of architecture and well-being has remained a topic of intrigue until today. To further explore this ideology, the Canadian Centre for Architecture (CCA), with the curation of Francesco Garutti, have put together an exhibition that explores how the “happiness industry” has controlled every aspect of contemporary life after the 2008 financial crash.
Our Happy Life, Architecture and Well-being in the Age of Emotional Capitalism is a non-archival show that exhibits work from architects, artists, and photographers. Metropolis’ Samuel Medina spoke to Garutti to discuss the notion behind the exhibition, social media, and architecture’s new spaces of meaning.
This article was originally published on Common Edge.
Paul Goldberger has a new book out, released just this week, entitled Ballpark: Baseball in the American City. Taking a page from the Ken Burns playbook, the book looks at a particularly American building type as a lens for looking at the broader culture of cities. Goldberger’s premise is a good one: Ballparks do parallel, to a remarkable degree, trends in American urbanism. They start as an escape from the city, then the city builds up around them. Post–World War II, they escape to the suburbs, then decades later return to the city. Today, privatization of the public realm and real estate development are driving the agenda. Recently I talked with Goldberger about the new book and a whole slew of magical ballparks, both living and long gone.
like the hikvision parking robot, new technologies are actively being developed to prevent our terrible and hugely stressful parking.
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The International Festival of Concentric Architecture and Design is characterized by its temporary displays that take place throughout the city. For this year's festival, 16 exhibits have been created that seek to experiment with spaces both within and outside the city of Logroño, bringing with them a whole new way to see and experience the urban surroundings.