- Architects: Archimontage Design Fields Sophisticated
- Location: Nonthaburi, Mueang Nonthaburi District, Nonthaburi, Thailand
- Category: Office buildings
- Lead Architects: Cherngchai Riawruangsangkul, Thanakit Wiriyasathit
- Area: 330.0 m2
- Project Year: 2019
- Photographs: Chaovarith Poonphol Photography
Recycled architecture is more than just novelty structures and offbeat buildings made from bottles, cans and tires – though those can be pretty cool in their own right. It’s a way to put recycled materials to use on a large scale, reduce the tremendous amount of waste typically produced during construction and stimulate creativity. In fact, the challenge of seeing salvaged and recycled materials in a new way can help break up monotonous architectural norms, even when applied to major modern projects like community centers and museums.
The act of repurposing reclaimed materials often becomes part of the aesthetic, a conscious choice to highlight the building’s sustainability factor or just raise awareness about the potential of items like shipping containers. But sometimes, you can’t tell by a glance. Materials like reclaimed tiles, recycled concrete, salvaged wood and innovative new synthetics made of waste products enable a little more subtlety and elegance.
Architecture and design practice REX has unveiled their design for Brown University’s new Performing Arts Center. The academic and cultural building was made to be a flexible and adaptable space that serves as a hub for performance. Combining a multi-functional main hall with an open stage floor, the design addresses the need for a dedicated performance space suitable for large ensembles. The new center was designed to encourage collaboration and inspire new modes of artistic and cultural production.
Pier Alessio Rizzardi, Zhang Hankun
TCA Think Tank, September 2018
Paperback | 7 x 10 inches | 480 pages | English | ISBN: 978-1916453722
In China, 1% of the world’s architects have to design 50% of all the buildings and must do so for 15% of the profit. This extreme situation in which architects have to operate, design and build, creates the theoretical basis for The Condition of Chinese Architecture.
In addition to interviewing the critical voices of contemporary Chinese architecture, the authors report the nowadays reality of the country, the architectural evolution since the first contacts with the West in 1582 and the issues affecting its contemporary practice.
The result is a groundbreaking, cumulative reckoning teased out through layers of personal accounts and cross-disciplinary research, drawing on architecture, aesthetics, philosophy, politics, and society.dDAB Commentary:
La exposición “Sigurd Lewerentz. 44 fotografías del viaje en Italia” recoge una selección de 44 fotos del archivo personal del arquitecto sueco procedentes del DM DigitaltMuseum, hechos durante el viaje que hizo en Italia en 1909.
© DM DigitaltMuseum
La conferencia inaugural de esta muestra, irá a cargo del filósofo Xavier Antich, que hablará sobre el libro de Rainer Maria Rilke, “Cartas a un joven poeta”.
Casi en el mismo momento que Lewerentz viajó a Italia, entre 1902 y 1908, Franz Xaver Kappus mantenía correspondencia con el poeta austriaco Rainer Maria Rilke y, si no fuera porque las “Cartas a un joven poeta” no se publicaron hasta el 1929, se podría afirmar que Lewerentz las había leído y se esforzaba a seguir al pie de la letra los consejos del poeta. Estas cartas hablan de silencio, de profundidad, de tristeza, de alegría, de creación artística, de la obra de arte y también de soledad.
In 2020, the French city of Marseille is set to host Manifesta 13, the European Biennial of Contemporary Art. In preparation for the event, The Why Factory (directed by MVRDV co-founder Winy Maas) has unveiled “The Grand Puzzle,” a 1200-page interdisciplinary pre-biennial research study of the urban potential for Marseille.
The Why Factory, founded as “the think tank on the future city” at Technical University Delft, has produced the study through deep analyses of the city, such as interviews and spatial data, culminating in suggestions for possible urban interventions. Having received overwhelmingly positive feedback, the study will now be “contextualized, analyzed, and refined as it becomes a tool for Marseillais to imagine possible futures for their city.” In addition, the study will serve as a point of inspiration for artistic and cultural interventions both before and during the Manifesta biennial.
Construction has begun on “The Spiral,” a 1,031-foot-tall project in New York’s Hudson Yards designed by Bjarke Ingels Group. The fifth supertall to be added to the area, The Spiral was commissioned by developer Tishman Speyer as part of the ongoing revitalization of the Midtown West region of Manhattan.
The tower is named after its defining feature - an "ascending ribbon of lively green spaces" that extend the High Line "to the sky," says Bjarke Ingels. The scheme will offer 2.85 million of office space, with the anchor tenant Pfizer occupying 18 floors, according to New York YIMBY.